To understand this theater, picture the dry riverbed of the Kamo River by Shijo, a few years after the Battle of Sekigahara. In 1603, a woman called Izumo no Okuni, who presented herself as a shrine maiden from Izumo, performed her kabuki dance in Kyoto. Crowds were captivated, and imitators soon followed with women's kabuki performances. The Shijo riverbank grew into a bustling theater district. The authorities eventually gathered the playhouses on the east side of the Shijo riverbank and recognized seven of them officially. The tradition says this happened in the Genna era, between 1615 and 1623, under the Kyoto deputy. Minami-za grew from one of those seven licensed houses, then known simply as the southern playhouse. The name is plain geography. The theater sat on the south side of Shijo Street, while its rival stood on the north. Fires destroyed playhouses again and again, and the center of the theater world drifted toward Osaka. By the early nineteenth century only one house remained on each side of Shijo Street. When Shijo Street was widened in the 1890s, the northern house, Kita-za, closed. From then on Minami-za stood alone, and it has been Kyoto's kabuki theater ever since.