Now to the reason many people come: Martin Schongauer's Madonna of the Rose Bower, painted in 1473. It is tempera on a wooden panel, about 200 centimeters tall and 115 centimeters wide, so it is a large work, and it commands the space around it. The Virgin Mary sits on the ground, a pose typical of the Madonna of Humility, holding the Christ Child in an enclosed rose garden. Art historians call that kind of garden a hortus conclusus, a walled garden that symbolizes Mary's virginity. Look at the roses and you will notice how their red echoes the red of her cloak, an echo that deepens the painting's meaning. The painting was not always here. It was displayed in the Saint Martin collegiate church until 1973, when it came to the Dominican Church. Schongauer's studio also created the Altarpiece of the Dominicans around 1475, though that work is today shown in the Unterlinden Museum, so do not look for it here. In this church, the Madonna holds the stage, along with fourteenth century stained glass windows that filter the light around her.