Step inside and you will notice how compact the hall is. The temple site covers only 46 ping, a traditional Taiwanese measure of floor area. Even so, it keeps the classic southern Fujian temple style, with graceful curves and a love of decoration. The ornament includes clay sculpture, murals, painting, cut-and-paste work and Jiaozhi ceramics. Alongside works from the period of Japanese rule, much of the restoration was carried out by renowned craftsmen. Look at the walls of the worship hall. On either side and beside the shrine are ink-wash figure paintings by Chen Shouyi, son of the famous Tainan painter Chen Yufeng. The hall carries the themes of long life and good fortune, while beside the shrine you will find a gathering of immortals and the Seven Sages of the Bamboo Grove. Their lines are simple and strong. In the main shrine the statues are arranged in rising tiers, and the City God sits at the center. The name tells you his job. Cheng means city and huang means moat, so he is the guardian of the moated town, a god who watches over good and bad deeds. There is also a local belief that the temple sits on a hen's nest site in feng shui terms, which is why worshippers have been wary of enlarging it for over a century.