Look closely at the temple's decoration. The wall friezes, the vivid color, the cut-and-paste porcelain known as jiannian, and the sculptures inside all add to its architectural importance. Cut-and-paste porcelain is made by setting small pieces of colored ceramic into figures and ornaments, so that they glitter in the light. Much of the jiannian and the Koji ceramics here were added in a major renovation in 1951, sponsored and led by local residents. Most of that work was by Jhu Chao-fong, a native of the Hsinchu area. He was the only Taiwanese apprentice of the renowned craft master Su Yang-shui, who lived from 1894 to 1961. When you step outside, explore the neighborhood next to the temple, known as Heijinting. Black-tiled Japanese low houses stand beside red-brick buildings in traditional Min style. Behind the temple is an ancient well more than a century old, once the main water source for local residents. Its opening is sealed now, but it still marks how people lived here every day.