The collection runs to thousands of works, well over 5,000 by the museum's own tourism listing, and it is organized around five collecting policies. The first is the art of Hokkaido, followed by modern Japanese art, the School of Paris, glass art, and contemporary art. Together they let the museum tell a local story and a global one side by side. The School of Paris strand centers especially on Pascin, which is a lovely surprise to find in northern Japan. The glass art collection is another active area of acquisition, covering works from Japan and abroad. Alongside these sit European prints and gifts from generous private collectors, including ukiyo-e woodblock prints and ceramics, so your eye can travel from the Edo period through the Showa era to the present, and from Hokkaido to Japan and the West. Because there is so much, the museum rotates it. Collection exhibitions bring out works around different themes, and special exhibitions feature distinctive works from Japan and overseas. The result is that two visits can feel quite different from one another.