To understand Neuschwanstein, you must understand Ludwig’s obsession with the composer Richard Wagner. Ludwig did not hire a traditional architect to design this castle; instead, he commissioned Christian Jank, a theatrical set designer. Because of this, the castle is literally a stage set brought to life. The interiors are a physical manifestation of Wagnerian operas like Lohengrin and Tannhäuser, filled with murals of knights, dragons, and the recurring motif of the swan, the heraldic animal of the Counts of Schwangau and a symbol of purity for the King. Ludwig envisioned this palace as a monument to the Middle Ages, yet he and Wagner were firmly men of the nineteenth century. Ironically, Wagner never actually set foot inside the castle Ludwig built in his honor. As you walk near the entrance, note how the facade resembles a medieval knight's castle, but remember that every stone was placed with the intention of escaping from the modern world into a poetic, mythical past.